Saturday, October 31, 2009

BiPolar Theater...NYer animated cartoon

Saturday, October 24, 2009

350.0rg rally

Maggi and Jim were proud to be part of the GLOBAL 350.org rally--playing music for the rally ceremony! Look for us in the Salem group photo @Times Square (we think that's where it will be.) Meanwhile, you can look at this...http://www.flickr.com/photos/350org/sets/72157622455212282/

Music Stars Demand Records On Bush Administration's Use Of Music For Torture

Music Stars Demand Records On Bush Administration's Use Of Music For Torture

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Friday, October 23, 2009

TAYLOR MALI answers the question "Where is your favorite place to write?"

Sunday, October 18, 2009

Star Trek Meets Monty Python

Saturday, October 17, 2009

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Friday, October 16, 2009

Sesame Street: Elmo Scares Julia Roberts

Sesame Street (Vintage) - Put Down the Duckie

The best!

Put Down The Duckie: Our Favorite Sesame Street Musical Guests « NPT Media Update

Put Down The Duckie: Our Favorite Sesame Street Musical Guests « NPT Media Update

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Good Morning Quote




The past is the present, isn't it? It's the future too.

~Long Day's Journey Into Night

___________

DANCER: [Laughing hysterically] What a song! There is no tune to it and I can understand no words. I wonder what it means.
GENTLEMAN: Who knows? It is doubtless some folk song of his people which he is singing.
DANCER: But I wish to find out. Sailor! Will you tell me what it means--that song you are singing?
[The Negro stares at her uneasily for a moment.]
SAILOR: [Drawlingly] It is a song of my people.
DANCER: Yes. But what do the words mean?
SAILOR: [Pointing to the shark fins] I am singing to them. It is a charm. I have been told it is very strong. If I sing long enough they will not eat us.
~Thirst (One act play orig. published 1914)

_________
  CHRIS—(Looking out into the night—lost in his somber preoccupation—shakes his head and mutters.) Fog, fog, fog, all bloody time. You can’t see vhere you vas going, no. Only dat ole davil, sea—she knows! (The two stare at him. From the harbor comes the muffled, mournful wail of steamers’ whistles.)
(The Curtain Falls)
~Anna Christie Act IV
************

~~EUGENE GLADSTONE O'NEILL
b. Oct. 16, 1888, New York, N.Y., U.S. d. Nov. 27, 1953, Boston, Mass.
American dramatist and winner of the Nobel Prize for Literature in 1936.

__________

Electronic Eugene O'Neill Archive
http://www.eoneill.com/

(Extensive resource)

Includes bio:
http://www.eoneill.com/biography.htm
__________


Audio from "Chase and Sanborn Hour" radio broadcast of "Mourning Becomes Electra"
http://www.eoneill.com/artifacts/flash/mber/mber.htm

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Christopher Plummer as James Tyrone in Long Day's Journey Into Night



___________

PIX
http://images.google.com/images?q=Eugene%20O%27Neill&oe=utf-8&rls=org.mozilla:en-US:official&client=firefox-a&um=1&ie=UTF-8&sa=N&hl=en&tab=wi

Saturday Night Live - Powerball Cold Open - Video - NBC.com

Saturday Night Live - Powerball Cold Open - Video - NBC.com

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Saturday Night Live - Powerball Cold Open - Video - NBC.com

Saturday Night Live - Powerball Cold Open - Video - NBC.com

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Monday, October 12, 2009

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Tuesday, October 06, 2009

Today's Good Morning Quote


Today's Good Morning Quote

“Strange women lying in ponds distributing swords is no basis for a system of government!”

Monty Python and the Holy Grail (1975)

***********

Man: "That was not five minutes just now."
Mr. Vibrating: "I told you I'm not allowed to argue with you unless you've paid."
Man: "I just paid."
Mr. Vibrating: "No you haven't."
Man: "Yes I have."
Mr. Vibrating: "No you haven't."
Man: "Look, I don't want to argue about this."
Mr. Vibrating: "Well you didn't pay."
Man: "Aha! If I didn't pay, why are you arguing? See, I've got you."
Mr. Vibrating: "Not necessarily. I could be arguing in my spare time."
Man: "I've had enough of this."
Mr. Vibrating: "No you haven't."

***********
John Cleese: [on how they came up with the name] Someone shouted out Python and then someone else shouted out Monty which made us all laugh because Monty to us means Lord Montgomery, our general from the second world war.
Terry Jones: Oh I see!
Michael Palin: I thought it was Monty Sunshine the jazz player.
Terry Jones: Yes, Monty Sunshine the jazz clarinetist.

from Monty Python's Flying Circus: Live at Aspen (1998)

***********

Announcer: And now for something completely different.

***********

“Nudge, nudge, wink, wink. Know what I mean?”
_____________________

The Ruby Jubilee. Forty Years of Monty Python as of 10/6/09!
40 years ago..."Monty Python's Flying Circus" debuted on TV.

Opening Theme
http://www.youtube.com/watch?v=49c-_YOkmMU


Monty Python - Philosophers' World Cup
http://www.youtube.com/watch?v=92vV3QGagck

***********

http://pythonline.com/daily

***********

http://sharetv.org/images/monty_pythons_flying_circus_uk-show.jpg

***********


"Steve: Good evening. In the late 1960s, a comic force emerged which was so original, so zany, so fabulously different that many people felt that the world of entertainment had been changed forever. Intelligent - some would even say intellectual, yet massively popular. Subtle, but also simple. Dangerous but warm; visual but still enormously literate. Big-hearted, generous, anarchic, and above all, funny. Brilliantly funny. But enough about me. What about this "Monty Python" crowd? Well, some people like 'em, I guess."

~Parrot Sketch Not Included: Twenty Years of Monty Python (1989)

***********

More Monty Python's Flying Circus's Videos


***********


Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python


Gary L. Hardcastle
Department of Philosophy
University of Wisconsin - Stevens Point
Stevens Point, WI
U.S.A.

***********

Trivia (Source: IMDb):
Other possible names for the series were "Gwen Dibley's Flying Circus", "Owl-Stretching Time" (which was used as the name for one episode), "Bun, Whackett, Buzzard, Stubble and Boot", "A Toad Elevating Moment", "Sex and Violence", "A Horse, a Bucket and a Spoon". One early working title for the series was simply, "It's..."


The phrase "And now for something completely different" is taken from a real phrase often used by the BBC during their TV and radio broadcasts.

The first U.S. broadcast of the show was in July of 1974 on PBS station KERA in Dallas, TX.

Friday, October 02, 2009

Roger Ebert's Journal: Political Archives

Roger Ebert's Journal: Political Archives

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Roger Ebert's Journal: Political Archives

Roger Ebert's Journal: Political Archives

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Roger Ebert's Journal: Political Archives

Roger Ebert's Journal: Political Archives

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Roger Ebert's Journal: Political Archives

Roger Ebert's Journal: Political Archives

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Roger Ebert's Journal: Political Archives

Roger Ebert's Journal: Political Archives

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Thursday, October 01, 2009

Maggi Smith-Dalton: The answer is blowin' in the wind — Mary Travers 1936-2009 - Salem, MA - Salem Gazette

Maggi Smith-Dalton: The answer is blowin' in the wind — Mary Travers 1936-2009 - Salem, MA - Salem Gazette

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Maggi Smith-Dalton: The answer is blowin' in the wind — Mary Travers 1936-2009
By Maggi Smith-Dalton/ Naumkeag Notations
Thu Oct 01, 2009, 04:42 PM EDT


Salem - “These people,” Ted said, as we unpacked our guitars, banjos, mandolins and assorted paraphernalia in the front of the sunlight-splashed classroom, “these people don’t just play and sing about the topics we’ve been covering in our history class, but they live what they sing.”

As I unzipped my 12-string guitar case, I glanced up, surprised and thrilled. Our partner in this educational artist-in-residence class on the 1960s had just given us the highest accolade of all. Ted was a Connecticut high school teacher who had hosted us in his classroom for several years through a creative arts in education program, and he was the kind of passionate teacher we loved working with.

His students studied the decades of the 1960s academically, and we generally came in near the end of their semester to give living musical and narrative voice to those tumultuous and momentous times. Our music, most of which was “news” to our young students, in turn evoked the years which formed our own earliest impressions of the world — and the role and responsibilities of music in that world.

My introduction to this particular suburban class of privileged young people began as always, with every audience, everywhere. “Someday, sometime, somewhere, in your life,” said I, surveying the array of young faces (some studiously affecting a state of pre-determined boredom, some awake and alight) “and, make no mistake, you will face this at least once in your life — someday, you will come to a place where you must stand up, speak out, be counted, for what you believe in your heart. You must speak up, stand up, no matter what the crowd, the consensus, or your own head tells you is the safer, saner, more socially-acceptable path. It will be the pivotal event in your life, defining who you really are. We are about to visit courageous people who did just that: they stood up; they spoke out; they sang out; and they were counted.” And then Jim and I began.

Every singer lights their unique candle from the flames of those who filled the world with song before them. And so, I must by every true light, give voice and testimony to the influence of Mary Travers, late and lamented songstress of Peter, Paul and Mary.

Mary Travers was “song in action.” She was not, despite the early emphasis the media placed on her good looks and lovely voice, merely a great “chick singer.” The power of music wedded to words ensured that the stands that Travers and her colleagues made would resonate with power to change hearts and open minds. Their support for civil-rights and antiwar movements, whether they were performing at the 1963 March on Washington or joining in the 1965 Selma to Montgomery voting-rights march, was part and parcel of their calling as musicians.

Most importantly, while never abandoning the pure pursuit of artistic excellence, Peter, Paul and Mary stood up as full participants in our democracy at political rallies and social-justice demonstrations in the United States and abroad. When the group disbanded, Travers continued to perform at political events around the world and continued her career as a solo act, to further artistic success. She was a powerful example of woman as leader.

The thorniest problems of life will always be with us. Human life can be a difficult proposition, and it requires thoughtfulness, mindfulness, at all times. Social justice promotes understanding, and leads to a better chance for peaceful co-existence.

I know without question that music requires, above all, a mature and active sense of responsibility. The power of music is such that, when you step on a stage to perform, joyfully sharing your talents and brains and dedication to your craft, you must never lose sight of the fact that you are a conduit of emotional and intellectual forces which have the power to completely change lives. I have always regarded music not merely as a profession, but as a calling.

That responsibility is even more importantly remembered in situations where you have the chance to promote enlightened human virtues in the face of hate, ignorance, or fear.

For this understanding, which has guided my own life as an artist, and will continue to guide my life as a full-fledged participant in our democracy, I send my heartfelt thanks to Mary Travers, and all the brave women and men of song who shaped the person I am today. I will miss her living voice as we all navigate the blowin’ winds of change — but will always hear her in my heart.

***

Musician, historian and prize-winning author, Maggi Smith-Dalton is a specialist in 19th- and 20th-century music, history and culture from parlor and stage. In addition to musical performance, lecturing and teaching, she has experience as a public radio host, in theatrical and television performance and in a variety of media and art projects.

Maggi, with partner and husband Jim, has performed and taught American and Celtic music and history, in concert and by giving public history courses, nationwide. Published authors and recording artists, they are currently preparing a book and a recording on music in Salem’s history. Maggi is cofounder and codirector of imhct.org/The American History and Music Project and founding president of the Salem History Society. E-mail Maggi directly at Maggi@singingstring.org.

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